Cut from the title card into the interview and build the lower third: name first, role three frames later
Study the source, inspect the editable build, then adapt the treatment to your own content.
What the source does
Local 0-1 (master 198-199) are the last two frames of the opening title card: two lines of very large white bold type, top-left and bottom-left, over a warm interview shot. At local 2 (200) a hard cut lands on a different speaker in a book-lined room with no graphics. At local 5 (203) the speaker's name pops on at bottom-left in small bold white type; at local 8 (206) the role line pops on to its right, separated by a wide gap. Both hold unchanged to the end of the window; neither slides, fades or has a plate.
Two-stage lower-third build on hard steps after a cut: name lands first, the role follows three frames later, with no plate or motion.
Phase notes
- Frame 0 — Title card, last two frames
- Frame 2 — Hard cut to interview
- Frame 5 — Name pops on
- Frame 8 — Role pops on
- Frame 95 — Lower third holds
Use this example
- Watch the source and draft at normal speed. Compare the order of actions, the held states, and the transition into the result.
- Download the project and read its README before changing inputs. The package includes its implementation and declared dependencies.
- Replace the sample content through the package's documented input or content builder. Keep source footage in the research comparison.
- Render your adaptation and inspect text fit, framing, intermediate states, and entry and exit frames.
The source and remake are different assets. The original code-based illustration remains editable; source footage is a research reference. Read the retained findings below before using the choreography.
Recorded limits
- Visual fidelity is an authored draft judgement from sampled source frames; no independent blind review or native Resolve execution.