Land a top and bottom title in two beats, then hold it while the footage hard-cuts every 13 frames
Study the source, inspect the editable build, then adapt the treatment to your own content.
What the source does
A webcam-style speaker shot holds for two frames; a large white first title line pops on across the top of frame (~f2), then a second line pops on across the bottom (~f5). The title then stays fixed while the footage hard-cuts through eight different speakers at roughly 13–14 frame intervals (local ~f11, 25, 39, 52, 66, 79, 93, 107). The type never moves or fades; only the plate beneath it changes.
A locked two-line split title that persists as a constant while the underlying footage jump-cuts on a steady beat.
Phase notes
- Frame 0 — Speaker A, no title
- Frame 2 — Top line pops on
- Frame 5 — Bottom line pops on
- Frame 11 — Cut to speaker B; title holds
- Frame 25 — Cut C
- Frame 39 — Cut D
- Frame 52 — Cut E
- Frame 66 — Cut F
- Frame 79 — Cut G
- Frame 93 — Cut H
- Frame 107 — Cut back to A
Use this example
- Watch the source and draft at normal speed. Compare the order of actions, the held states, and the transition into the result.
- Download the project and read its README before changing inputs. The package includes its implementation and declared dependencies.
- Replace the sample content through the package's documented input or content builder. Keep source footage in the research comparison.
- Render your adaptation and inspect text fit, framing, intermediate states, and entry and exit frames.
The source and remake are different assets. The original code-based illustration remains editable; source footage is a research reference. Read the retained findings below before using the choreography.
Recorded limits
- Visual fidelity is an authored draft judgement from sampled source frames; no independent blind review or native Resolve execution.